Caitlin Cook

Confessional, immersive, and uproariously funny, this one-of-a-kind show—literally set in a dive bar bathroom—transforms graffiti scrawled all over the stalls into the lyrics of her original songs and trail markers along the journey she takes us upon. Through these irreverent, poignant, and often obscene messages, Cook reckons with our shared humanity and what we owe each other. May include: slingshotted panties, milk pistols, and a cowboy dick (complete, with spurs!)

Fresh from its sold-out Off-Broadway debut, Caitlin Cook brings you her hit bathroom graffiti musical This is a show for comedy nerds, musical theater kids, art history buffs, and anyone who’s ever seen something written in a bathroom and thought, “I wonder who wrote that?”

“Inventive and hilarious.” — David Cross

“If you aren’t worshipping her already, start now.“ — Ilana Glazer

“Funny and fabulous!” — Cat Cohen

“She’s absolutely lovely, but she wears a lot of velvet, and I hate that texture.” — Daniel Sloss

“The writing, the songs, the performance, the comedy, the heart—this show has got it all in spades.” — Jo Firestone

“Go see this show.” — Michael Che

“She’s killer. Big fan!” — Mark Normand

“An extremely funny and unique voice.” — Daniel Simonsen

“So funny and also incredibly moving.” — Isabel Hagen

“The bard of the bathroom we didn’t know we needed.” — David Goldsmith

“Marvelous. A real story about a human being. Funny, heartwarming, and very rewarding.” — Sean Patton

“The best show I’ve seen in a long time.” — Steve Rannazzisi

“She’s awesome, but beware: her songs will be suck in your head for months.” — Natalie Palamides

“Somebody get this girl a writing job already.” — Kyle Kinane

“Oh my god, you’re like a female Adam Sandler because your songs are hilarious, and like, you’re Jewish!” — Drunk girl in Texas

“A modern day Julie Andrews, if she sang songs bout dicks.” — Audience member in London

“Take your top off or get offstage.” — Drunk guy in Missouri

“The gold standard of musical comedy.” — New York Times

“A gem of a show.” (****1⁄2) — One4Review

“Delightfully irreverent, gleefully vulgar, slyly intellectual.” — TheaterMania